With the power of the Web, and more eyes watching than ever, it’s important for a business to communicate its unique message clearly. The easiest way to recognize a company and distinguish it from others is by its logo. Below, we go through 10 common logo design mistakes that you should avoid if you want to create a successful and professional logo.
1. Designed By An Amateur Link
Avoid websites that promote ridiculously cheap logo packages. You get what you pay for. A professional business should look professional. New business owners often invest a lot of time and money in property and equipment, but do not often match it by investing suitably in their logo.
Here are the most common reasons why many logos look amateurish:
1- The business owner wanted to save money by designing the logo quickly themselves.
2- A friend or relative who claims to know a little about graphic design does it as a favour.
3- The wrong people are commissioned. (Local printers are not likely proficient in logo design.)
4- The business outsourced the job via one of several design competition websites, which are
mostly populated by amateur designers.
5- The job was given to an online company that offers really cheap logos.
All of the above can result in disastrous outcomes. If your logo looks amateurish, then so will your business. A business should know where to look when it wants a new logo.
Here are the advantages of hiring an established and professional logo designer:
1- Your logo will be unique and memorable.
2- You won’t run into any problems down the line with reproducing it.
3- Your logo will have a longer lifespan and won’t need to be redesigned in a couple of years.
4- Your logo will look professional.
2. Relies On Trends Link
Focusing on current logo trends is like putting a sell-by date on a logo. Trends (whether
swooshes, glows or bevels) come and go and ultimately turn into clichés. A well-designed
logo should be timeless, and this can be achieved by ignoring the latest design tricks and
gimmicks. The biggest cliché in logo design is the dreaded “corporate swoosh,” which is
the ultimate way to play it safe. As a logo designer, your job is to create a unique identity
for your client, so completely ignoring logo design trends is best.
3. Uses Raster Images Link
An example of how raster graphics can limit reproduction. Standard practice when designing
a logo is to use vector graphics software, such as Adobe Illustrator or Corel Draw. A vector
graphic is made up of mathematically precise points, which ensures visual consistency across
multiple sizes. The alternative, of course, is use to raster graphics software, such as Adobe
Photoshop. A raster graphic — or bitmap, as it’s commonly called — consists of pixels.
Using raster images for logos is not advisable because it can cause problems with reproduction.
While Photoshop is capable of creating very large logos, you never know for sure how large
you will have to reproduce your logo at some point. If you zoom in enough on a raster graphic,
it will appear pixelated, making it unusable. Maintaining visual consistency by making sure the
logo looks the same in all sizes is essential.
The main advantages of vector graphics for logo design are:
• The logo can be scaled to any size without losing quality.
• Editing the logo later on is much easier.
• It can be adapted to other media more easily than a raster image.
4. Contains Stock Art Link
Using stock vector graphics in a logo puts your client at risk. This mistake is often made
by business owners who design their own logo or by amateur designers who are not clued
in to the laws on copyright. Downloading stock vector imagery from websites such as
VectorStock is not a crime, but it could possibly get you in trouble if you incorporate it in a logo. A logo should be unique and original, and the licensing agreement should be exclusive to the client: using stock art breaks both of these rules. Chances are, if you are using a stock vector image, it is also being used by someone somewhere else in the world, so yours is no longer unique. You can pretty easily spot stock vectors in logos because they are usually familiar shapes, such as globes and silhouettes.
5. Designing For Yourself Rather Than The Client Link
Never impose your own personality onto a client’s work. You can often spot this logo design sin a mile away; the cause is usually a designer’s enormous ego. If you have found a cool new font that you can’t wait to use in a design, well… don’t. Ask yourself if that font is truly appropriate for the business you’re designing for? For example, a great modern typographic font that you just love is not likely suited to a serious business such as a lawyer’s office.
Some designers also make the mistake of including a “trademark” in their work. While you should be proud of your work, imposing your personality onto a logo is wrong. Stay focused on the client’s requirements by sticking to the brief.
6. Overly Complex Link
Highly detailed designs don’t scale well when printed or viewed in smaller sizes. What better
analogy for thumbnail images than fingerprints? You’ll notice the intricacies of your fingerprints
only when looking at them really close up. As soon as you move away, those details are lost. The
same holds true for highly detailed logo designs.
When printed in small sizes, a complex design will lose detail and in some cases will look like a
smudge or, worse, a mistake. The more detail a logo has, the more information the viewer has
to process. A logo should be memorable, and one of the best ways to make it memorable is to
keep things simple. Look at the corporate identities of Nike, McDonald’s and Apple. Each company has a very simple icon that can easily be reproduced at any size.
7. Relies On Colour For Its Effect Link
Without color, your great design may lose its identity. This is a very common mistake. Some
designers cannot wait to add color to a design, and some rely on it completely. Choosing color
should be your last decision, so starting your work in black and white is best.
Every business owner will need to display their logo in only one color at one time or another,
so the designer should test to see whether this would affect the logo’s identity. If you use color
to help distinguish certain elements in the design, then the logo will look completely different
in one tone.
8. Poor Choice Of Font Link
Font choice can make or break a logo. When it comes to executing a logo, choosing the right
font is the most important decision a designer can make. More often than not, a logo fails
because of a poor font choice (our example shows the infamous Comic Sans).
Finding the perfect font for your design is all about matching the font to the style of the icon.
But this can be tricky. If the match is too close, the icon and font will compete with each other
for attention; if the complete opposite, then the viewer won’t know where to focus. The key is
finding the right balance, somewhere in the middle. Every typeface has a personality. If the font
you have chosen does not reflect the icon’s characteristics, then the whole message of the
brand will misfire.
Bad fonts are often chosen simply because the decision isn’t taken seriously enough. Some
designers simply throw in type as an afterthought. Professional font foundries, such as MyFonts
and FontFont, offer much better typeface options than those over-used websites that offer
9. Has Too Many Fonts Link
A logo works best with a maximum of two fonts. Using too many fonts is like trying to show
someone a whole photo album at once. Each typeface is different, and the viewer needs time
to recognize it. Seeing too many at once causes confusion. Using a maximum of two fonts of
different weights is standard practice. Restricting the number of fonts to this number greatly
improves the legibility of a logo design and improves brand recognition.
10. Copies Others Link
This is the biggest logo design mistake of all and, unfortunately, is becoming more and more
common. As mentioned, the purpose of a logo is to represent a business. If it looks the same as
someone else’s, it has failed in that regard. Copying others does no one any favours, neither the
client nor the designer.